The Good, the Bad and the Ugly is a 1966 Italian epic Spaghetti Western film directed by Sergio Leone and starring Clint Eastwood, Lee Van Cleef, and Eli Wallach in their respective title roles. Its screenplay was written by Age & Scarpelli, Luciano Vincenzoni and Leone, based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film’s sweeping widescreen cinematography, and Ennio Morricone composed the film’s score including its main theme. It is an Italian-led production with co-producers in Spain, West Germany and the United States.
The film is known for Leone’s use of long shots and close-up cinematography, as well as his distinctive use of violence, tension, and stylistic gunfights. The plot revolves around three gunslingers competing to find fortune in a buried cache of Confederate gold amid the violent chaos of the American Civil War (specifically the New Mexico Campaign in 1862), while participating in many battles and duels along the way. The film was the third collaboration between Leone and Clint Eastwood, and the second with Lee Van Cleef.
The Good, the Bad and the Ugly was marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. The film was a financial success, grossing over $25 million at the box office, and is credited with catapulting Eastwood into stardom. Due to general disapproval of the Spaghetti Western genre at the time, critical reception of the film following its release was mixed, but it gained critical acclaim in later years. The Good, the Bad and the Ugly is now seen as one of the greatest and most influential Western movies.
Sergio Leone’s 1966 cult masterpiece The Good, the Bad and the Ugly is well known for its final standoff in a circular cemetery (created especially for the film). The final shot of the film was intended to be a long helicopter shot of “Blondie” (probably Clint Eastwood’s double/stand-in) riding into the wide open countryside. However after the footage came back with too much bounce and shake, the shot was discarded (a static shot from the ground was used instead).
The film is known for Leone’s use of long shots and close-up cinematography, as well as his distinctive use of violence, tension, and stylistic gunfights. The plot revolves around three gunslingers competing to find fortune in a buried cache of Confederate gold amid the violent chaos of the American Civil War (specifically the New Mexico Campaign in 1862), while participating in many battles and duels along the way. The film was the third collaboration between Leone and Clint Eastwood, and the second with Lee Van Cleef.
The Good, the Bad and the Ugly was marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. The film was a financial success, grossing over $25 million at the box office, and is credited with catapulting Eastwood into stardom. Due to general disapproval of the Spaghetti Western genre at the time, critical reception of the film following its release was mixed, but it gained critical acclaim in later years. The Good, the Bad and the Ugly is now seen as one of the greatest and most influential Western movies.
Sergio Leone’s 1966 cult masterpiece The Good, the Bad and the Ugly is well known for its final standoff in a circular cemetery (created especially for the film). The final shot of the film was intended to be a long helicopter shot of “Blondie” (probably Clint Eastwood’s double/stand-in) riding into the wide open countryside. However after the footage came back with too much bounce and shake, the shot was discarded (a static shot from the ground was used instead).
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