Beautiful Portraits of Claudia Cardinale From ‘Cartouche’ (1962)

Directed by Philippe de Broca, Cartouche is a vibrant and high-spirited adventure film that stands as a landmark of 1960s French cinema.

Starring the legendary Jean-Paul Belmondo in the title role, the film tells the semi-legendary story of Louis-Dominique Bourguignon, a charming 18th-century highwayman who robs from the rich with a unique blend of wit, acrobatics, and gallantry. Alongside the radiant Claudia Cardinale, who plays his fierce and loyal lover Vénus, Belmondo delivers a performance full of infectious energy and physical bravado.

The film beautifully balances slapstick humor with poignant drama, all set against a lush, colorful backdrop of pre-revolutionary France. Beyond the thrills and swordfights, Cartouche is celebrated for its romantic spirit and Georges Delerue’s iconic musical score, making it a timeless tribute to the hero who lived by his own rules and loved with all his heart.

Take a look at these beautiful photos to see portraits of Claudia Cardinale during the filming of Cartouche in 1962.

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Marion Michael: The Natural Star of 1950s Cinema

Marion Michael (1940–2007) became an overnight sensation in 1956 when, at just 15 years old, she starred in the hit adventure film Liane, Jungle Goddess (Liane, das Mädchen aus dem Urwald). With her radiant blonde hair, athletic build, and effortless charm, she brought a fresh, natural beauty to the post-war German cinema screen.

Often compared to Brigitte Bardot, Marion symbolized a new, rebellious, and untamed femininity that fascinated audiences. While her early fame was closely tied to her “jungle girl” image, she later proved her versatility on stage and television, transitioning from a teenage idol to a mature performer.

Despite a life marked by both sudden stardom and personal challenges, Marion Michael remains a nostalgic icon of the 1950s, remembered for her luminous presence and for being one of the first true media superstars of the German “Economic Miracle” era.

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30 Photos of a Young Jimmy Page in the Mid and Late 1960s

Jimmy Page (born January 9, 1944) is an English musician, songwriter, and record producer who achieved international fame as the founder and lead guitarist of Led Zeppelin. Widely regarded as one of the most influential guitarists in history, he is a two-time Rock and Roll Hall of Fame inductee and a pioneer of the “heavy” rock sound.

Before he was a household name, Page was the “secret weapon” of the British music industry. Because he could read music and play almost any style, from rockabilly to jazz, he was hired for nearly every major recording session in London. It is estimated that Page played on 60% of the rock music recorded in England between 1963 and 1966. He played on hits for The Who (“I Can’t Explain”), The Kinks (“All Day and All of the Night”), Donovan (“Sunshine Superman”), and Joe Cocker (“With a Little Help from My Friends”).

In the studios, he was known as “Little Jim” to distinguish him from the other famous session guitarist, “Big Jim” Sullivan. During this time, he began experimenting with the violin bow technique and various distortion pedals (like the Tone Bender) that would later define his sound.

Page had originally turned down the Yardbirds twice (recommending his friend Jeff Beck instead) because he was making so much money in the studios. He finally joined in 1966, initially playing bass before switching to lead guitar. For a brief, legendary period in 1966, Page and Jeff Beck played lead guitar together in the same band, a “supergroup” lineup that paved the way for heavy metal.

After Beck left, Page became the sole leader and producer of the band. He pushed them toward a heavier, more psychedelic sound on the album Little Games (1967). It was during Yardbirds live sets that he perfected the iconic “violin bow” solo on songs like “Dazed and Confused” (which was a Yardbirds live staple before Zeppelin).

When the Yardbirds collapsed in mid-1968, Page was left with the band name and a string of tour dates to fulfill. He recruited session bassist John Paul Jones, then discovered singer Robert Plant and drummer John Bonham. They initially performed as “The New Yardbirds” to finish the tour. In late 1968, they changed their name to Led Zeppelin (a joke from Keith Moon, who said the band would go down like a “lead balloon”).

By the end of the decade, Page had produced and released Led Zeppelin I and Led Zeppelin II, effectively ending the “Swinging Sixties” and Ushering in the era of Hard Rock.

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The 28 Installation Disks of Windows 95

The 28 installation disks of Windows 95, released in 1995, are a fascinating relic of early computing history, highlighting just how far technology has come in a few short decades. At the time, Windows 95 was a revolutionary operating system for Microsoft.

When Windows 95 was first released, installing the operating system required a staggering 28 floppy disks—a clear indicator of the pre-CD-ROM era. Each 3.5-inch disk held only 1.44 MB, so the complete OS totaled roughly 40 MB, which was enormous for the mid-1990s.

The installation process was painstakingly slow. Users had to swap disks dozens of times, carefully following on-screen prompts, and even a single damaged disk could halt the entire setup. Patience and precision were essential to successfully get the system up and running.

Eventually, most users switched to the CD-ROM version, which simplified installation dramatically. However, the floppy disk set remained crucial for older computers that lacked CD drives, representing both the challenges and the ingenuity of early PC software distribution.

The 1944 Volkswagen Type 82 ‘Kübelwagen’: A Masterpiece of Wartime Engineering

The 1944 Volkswagen Type 82, famously known as the Kübelwagen (literally “bucket car”), was the backbone of German military transport during World War II.

Designed by Ferdinand Porsche, this rugged light utility vehicle was based on the early Beetle chassis but optimized for the harshest battlefield conditions. Despite lacking four-wheel drive, the Type 82’s lightweight construction, rear-engine layout, and integrated self-locking differential gave it surprising off-road agility, often outperforming heavier and more complex vehicles.

By 1944, the design had been refined for maximum reliability, featuring its signature corrugated body panels for added strength and a simplified, air-cooled engine that could survive extreme temperatures from the African deserts to the Russian front.

With its pragmatic design and functional simplicity, the Kübelwagen established a utilitarian template that would later influence civilian vehicles like the post-war VW “Thing.” Though born from conflict, this vehicle demonstrates how Porsche's early work with the flat-four platform would evolve into more refined applications after the war.

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Elvis Presley Taking Photos With Fans at the International Hotel in Las Vegas, on August 26, 1970

On August 26, 1970, Elvis Presley performed two shows (a Dinner Show and a Midnight Show) at the International Hotel in Las Vegas. This date fell during his “Summer Festival” engagement, which is arguably the most famous period of his Vegas years because it was being filmed for the legendary MGM documentary “Elvis: That’s the Way It Is.”

By late August, the film crew had mostly finished their primary shooting, but Elvis was at his absolute peak—energetic, charismatic, and musically experimental. By this point in the residency, Elvis had moved past the opening-night jitters. The shows on August 26 were known for his playful interaction with the audience and his “TCB” (Taking Care of Business) band.

The performances during this week featured a powerhouse mix of his 1950s hits and contemporary covers. A typical setlist for that night included: “That’s All Right,” “I Just Can’t Help Believin’,” “Bridge Over Troubled Water,” “Suspicious Minds,” “Polk Salad Annie” and “Can’t Help Falling in Love.”

By 1970, however, the mood was different. Elvis was more focused on his “Contemporary” sound, moving away from being just a “Golden Oldies” act and proving he was still the premier entertainer in the world.

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Publicity Photos of David Bowie as Jareth the Goblin King in “Labyrinth” (1986)

In Jim Henson’s 1986 fantasy cult classic Labyrinth, David Bowie delivers an iconic performance as Jareth the Goblin King. Portrayed with a blend of “disturbing beauty” and theatrical charisma, Jareth is the powerful, enigmatic antagonist who kidnaps Sarah’s baby brother, Toby, and challenges her to navigate his treacherous maze.

Jareth was designed specifically to represent a teenage girl’s complex feelings about the “adult world.” Rather than a simple monster, Jareth is a charismatic, manipulative figure who represents temptation. He is Sarah’s (Jennifer Connelly) fantasy made manifest—part rock star, part dangerous romantic hero. Conceptual designer Brian Froud drew inspiration from romantic figures like Heathcliff (Wuthering Heights) and Rochester (Jane Eyre), as well as medieval knights and “leather boys.”

Bowie’s look in the film is legendary for its “glam-rock meets fairy-tale” aesthetic. His wild, gravity-defying blonde wig became a hallmark of the 1980s. Jareth’s wardrobe shifts from high-collared velvet capes and glittery ball gowns to skin-tight leggings and leather jackets.

Jim Henson originally considered Michael Jackson, Sting, Prince, or Mick Jagger for the role. He ultimately chose Bowie because his “tall, lean presence” provided a perfect contrast to the earth-toned, compact goblins. It took Henson two years to convince Bowie to join the project. Once cast, the script was heavily revised to include more of Jareth throughout the film and to feature original music written and performed by Bowie.

While Bowie was the face of the character, the intricate crystal ball contact juggling seen on screen was actually performed by choreographer Michael Moschen, who reached from behind Bowie to manipulate the spheres.

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