22 Fascinating Portraits of Teenage Sharon Tate in the 1950s

Sharon Tate (January 24, 1943 – August 9, 1969) was an American actress and model. In the 1950s, she was a teenager living a transient life as an “army brat” due to her father’s career as a military officer. Before becoming a 1960s Hollywood icon, her life was defined by frequent moves, beauty pageant wins, and a reputation for extreme shyness.

Born in 1943, Tate spent the 1950s moving across the United States. Her schooling during this decade included Texas and Washington. She attended South Shaver Elementary in Pasadena, Texas, until 1955, followed by Chief Joseph Junior High and Columbia High School in Richland, Washington.

Because her family moved six times before she was 16, she found it difficult to maintain long-term friendships and was described by family as shy and lacking self-confidence. Despite her shyness, Tate began entering pageants in the late 1950s, which served as a prelude to her modeling and acting career. At age 16, she won the title of Miss Richland in Washington. She also won the title of Miss Autorama in Richland, which showcased her “classic 1950s style” of polished hair and modest glamour.

By the very end of the decade (late 1959), Tate’s family moved to El Paso, Texas, where she briefly attended Irvin High School before her father was relocated to Italy in early 1960. It was in Italy that she finally began her professional journey, working as a film extra and catching the attention of Hollywood producers.

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Joseph Karl Stieler: The Master of Neoclassical Portraiture

Joseph Karl Stieler (1781–1858) was the preeminent court painter to the Bavarian kings and one of the most distinguished portrait artists of the Neoclassical era. He is most famously known for his extraordinary “Gallery of Beauties” (Schönheitengalerie), a collection of 36 portraits commissioned by King Ludwig I of Bavaria to celebrate the most beautiful women from all social classes in Munich.

Stieler’s work is characterized by a meticulous attention to detail, a smooth, porcelain-like finish on the skin, and an ability to capture the profound inner dignity of his subjects. Beyond royalty and nobility, he produced one of the most iconic and enduring images in history: the 1820 portrait of Ludwig van Beethoven, which remains the definitive visual representation of the composer’s intense and brooding genius.

Stieler’s legacy lies in his unique ability to blend idealized beauty with psychological depth, making him a central figure in European Romantic and Neoclassical art.

Family Portrait of the Herzogs, Joseph von Sachsen-Altenburg

A Lady of the Petre Family Playing the Guitar

Alexander von Humboldt

Alexandra Iosifovna

Amalie von Schintling

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Paul Karason, a Man Made Famous After His Skin Turned Permanently Blue in the 1990s

Paul Karason, famously known as the “Blue Man” or “Papa Smurf,” began his transformation in the early to mid-1990s due to self-medication with colloidal silver.

In the early 1990s, Karason was fair-skinned and freckled. Seeking a cure for various ailments, including chronic sinusitis, dermatitis, and acid reflux, he began consuming homemade colloidal silver. Using a battery-powered device, he brewed a solution of silver particles suspended in water. He drank approximately 10 ounces of this liquid daily and also applied a silver-based preparation topically to his face.

Over several years, the silver particles accumulated in his body tissues. When exposed to light, these silver deposits underwent a chemical reaction similar to photography, permanently turning his skin a deep bluish-gray.

Karason claimed he did not realize his skin had changed color until an old friend visited in the late 1990s and asked what he had on his face, thinking it was “camouflage makeup.” While the condition developed in the 1990s, he remained a recluse for years. He gained international fame in 2008 after appearing on the Today show and The Oprah Winfrey Show to discuss his condition.

Paul Karason died in 2013 at the age of 62. His death was caused by a heart attack that led to pneumonia and a severe stroke, which doctors stated was unrelated to his blue skin.

Beautiful Portraits of Deborah Kerr From ‘The King and I’ (1956)

The 1956 cinematic adaptation of Rodgers and Hammerstein’s The King and I remains one of the most beloved and visually spectacular musicals in film history. Set in the 1860s, the story follows Anna Leonowens, an English schoolteacher (played by Deborah Kerr), who travels to Siam to tutor the children of the stubborn yet inquisitive King Mongkut (portrayed by Yul Brynner in an Oscar-winning performance).

The film is celebrated for its breathtaking CinemaScope cinematography and lavish costume design, which brought the opulence of the Siamese royal court to life in vibrant color. At its heart, the movie is a poignant exploration of cultural clashing and mutual respect, highlighted by iconic musical numbers such as Getting to Know You and the exhilarating Shall We Dance? polka.

Beyond its entertainment value, the film’s legacy is defined by its grand scale and the undeniable chemistry between its leads, cementing its place as a cornerstone of the classic musical genre. These beautiful photos capture portraits of Deborah Kerr during the filming of The King and I in 1956.

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The Story of ‘Spitfire Girl’ Jackie Moggridge, a True Pioneer in Aviation

Jackie Moggridge (1922–2004) was a South African-born aviator who became one of the most prolific female ferry pilots of World War II and a post-war pioneer for women in commercial aviation.

Born Dolores Theresa Sorour in South Africa in 1922, she renamed herself “Jackie” after her hockey heroine, Jackie Rissik. Her obsession with flight began early; she took her first lesson at 15 and became the youngest woman in South Africa to earn a pilot’s license. At 17, she achieved another milestone as the first woman in South Africa to perform a parachute jump.

When World War II broke out, Jackie moved to England to join the war effort. After a brief stint as a radar operator, she joined the Air Transport Auxiliary (ATA) in 1940. The “ATA girls” were a civilian group tasked with ferrying military aircraft from factories to front-line squadrons. She was one of the youngest and most prolific pilots in the ATA. She delivered more than 1,500 aircraft during the war, including 83 different types of planes (from heavy bombers like the Lancaster to agile fighters like the Spitfire).

Of all the aircraft she flew, she was most famous for her relationship with the Spitfire, delivering over 500 of them in her lifetime. She once described the Spitfire as a “lady’s aeroplane” – delicate, responsive, and a joy to fly. Ferrying was perilous; pilots flew without radios or ammunition, often in poor weather, navigating only by map and compass. Jackie herself had several narrow escapes and lost many friends during the “graveyard runs” of returning damaged aircraft.

Jackie’s determination didn’t end with the war. She continued to break barriers in a male-dominated industry. In 1953, she became one of only five women to be awarded full RAF wings, a significant achievement at a time when women were largely excluded from military flying roles. She famously campaigned to be the first woman to break the sound barrier, though the Air Ministry ultimately blocked her attempt due to the prejudices of the era.

In 1958, she applied to Channel Airways for a pilot position. By omitting her gender from the application and relying on her massive logbook of hours, she was hired and became the first female airline captain to fly passengers on scheduled flights in the UK.

Jackie Moggridge died in 2004 at the age of 81. In a final tribute to her life’s passion, her ashes were scattered from a Spitfire (ML407)—the very same aircraft she had delivered to a front-line squadron 60 years earlier during the war. Her memoir, originally titled Woman Pilot and later republished as Spitfire Girl: My Life in the Sky, remains a definitive account of the “Female Few.”

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35 Beautiful Black and White Portraits of Juliette Gréco in the 1950s and ’60s

Juliette Gréco (1927–2020) was the quintessential voice of post-war France and the dark-eyed muse of the Paris bohemian scene.

Rising to fame in the smoky underground jazz clubs of Saint-Germain-des-Prés, she became the living embodiment of Existentialism, counting intellectual giants like Jean-Paul Sartre and Albert Camus among her closest admirers.

Known for her deep, husky voice and poetic delivery, Gréco transformed the “chanson” into a dramatic art form, breathing life into the lyrics of Jacques Prévert and Joseph Kosma. Her iconic look, characterized by kohl-lined eyes, straight black hair, and an all-black wardrobe, defined the “Left Bank” aesthetic and influenced fashion for generations.

Beyond her music, Gréco was a symbol of intellectual freedom and feminine rebellion, a woman who lived her life with unapologetic intensity and remains the timeless “Grand Dame” of French song. Take a look at these beautiful black and white photos to see portraits of a young Juliette Gréco.

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Two Young Lovers Kissing in a Pumpkin Patch, 1899

In this tender photograph from 1899, a young couple shares a kiss in a pumpkin patch, capturing a private moment against the backdrop of a world on the cusp of dramatic change. As the 19th century drew to a close, society was brimming with excitement over technological progress: steamships and railways had shrunk distances, electric lights were illuminating cities, and the telephone hinted at a future of instant communication. Dreams of flying machines and scientific breakthroughs filled the air, offering a sense of boundless possibility and optimism for the century to come.

Yet alongside this hope, there was palpable uncertainty. The rapid pace of change disrupted traditional ways of life, as rural communities dwindled and industrial cities expanded. Social structures, family routines, and local economies were being transformed, leaving many to wonder what stability and security might look like in the new century. Globally, empires were at their zenith, yet political tensions were quietly simmering, hinting at conflicts that could reshape nations.

Amid this mix of progress and apprehension, the couple’s intimate moment in the pumpkin patch embodies both the personal and the historical: a snapshot of human connection in a world poised between optimism and anxiety. Their embrace reflects timeless emotions – love, hope, and uncertainty – as they faced the unknown possibilities and challenges of the 1900s, much like everyone else at the turn of the century.