Studio Portraits of Madeline Kahn Taken by Jack Mitchell in New York City, 1974

In 1974, famed American photographer Jack Mitchell photographed actress and comedic icon Madeline Kahn at his studio in New York City. The studio session captured Kahn during a major turning point in her career, 1974 was the landmark year she starred in two of Mel Brooks’ iconic comedies, Blazing Saddles (as Lili Von Shtupp, earning her an Academy Award nomination for Best Supporting Actress) and Young Frankenstein (as Elizabeth).

Jack Mitchell was renowned for his black-and-white portraits of cultural figures, dancers, artists, and actors for publications like The New York Times, After Dark, and Dance Magazine. The session featured classic mid-1970s studio lighting, crisp contrast against dark backgrounds, clean rim lighting, and creative double-exposure techniques combining profile and direct-facing angles.

Captured during her rise as one of the preeminent comedic actresses of modern American cinema and theater, balancing her broad comedic presence with understated studio portraiture.

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20 Portraits of Greer Garson as Elizabeth Bennet in the Classic 1940 Film Adaptation of “Pride and Prejudice”

Greer Garson delivered a iconic, spirited performance as Elizabeth Bennet in Metro-Goldwyn-Mayer’s 1940 film adaptation of Pride and Prejudice. Starring alongside Laurence Olivier as Mr. Darcy, Garson brought her signature grace, intelligence, and a distinctly buoyant, “pert” comedic timing to Jane Austen’s most famous heroine.

This classic Hollywood production stands out due to several unique stylistic and narrative departures from the original 1813 novel. Instead of the historically accurate, high-waisted Regency-era silhouettes, the film opted for elaborate, wide-skirted 1830s–1840s Victorian-style gowns. The studio reportedly reused these costumes from other large productions like Jezebel to cut down costs during the build-up to World War II.

Garson was 36 years old when the movie was released, considerably older than the book’s 20-year-old Elizabeth. To fit her mature, leading-lady presence, the film adapted the story to make Elizabeth the eldest Bennet sister instead of Jane.

The script was co-written by famed British novelist Aldous Huxley and Jane Murfin. Rather than adapting the book directly, they based their narrative heavily on a 1936 Broadway stage adaptation by Helen Jerome, resulting in a condensed, fast-paced comedy of manners that omitted major characters like the Gardiners and Georgiana Darcy.

Despite these Hollywood alterations, Garson’s chemistry with Olivier and her vibrant portrayal won over critics, cementing this film as the first major cinematic bridge to bring Austen’s masterwork to worldwide audiences. The film was a major box-office success and earned critical acclaim, solidifying Garson’s status as one of MGM’s leading dramatic actresses leading into her Academy Award-winning role in Mrs. Miniver (1942).

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Isabella Rossellini: Timeless Icon of Film and Fashion

Isabella Rossellini (born 1952) is an Italian-American actress and model, the daughter of legendary actress Ingrid Bergman and director Roberto Rossellini.

Rossellini rose to international prominence in the 1980s as both a celebrated fashion model, most notably as the longtime face of Lancôme, and a compelling screen presence. Her breakthrough film role came in David Lynch’s Blue Velvet (1986), followed by appearances in films such as Wild at Heart, Death Becomes Her, and many others.

Known for her distinctive beauty, intelligence, and versatility, Rossellini has sustained a long career across cinema, modeling, and later creative projects, remaining one of the most recognizable and enduring figures of late-20th-century culture. These striking photos capture the beauty, presence, and timeless elegance of Isabella Rossellini, an icon of both film and fashion.

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Beautiful Maid of Malmo: Portraits of Anita Ekberg Taken by Lisa Larsen for LIFE Magazine, 1951

In October 1951, renowned LIFE magazine photographer Lisa Larsen captured a famous series of portraits of a 20-year-old Anita Ekberg. Freshly crowned Miss Sweden, Ekberg had arrived in the United States to compete in the Miss America event as a guest of honor and to further her modeling career. The resulting LIFE magazine feature, headline-styled “Beautiful Maid of Malmo,” introduced the future cinematic icon to American audiences long before her legendary role in La Dolce Vita.

Larsen captured Ekberg playfully making animated faces and expressive pouts for the camera, highlighting her lively personality alongside her classic blonde features. Several of the iconic images show Ekberg trying on dramatic fashions of the era, including a heavy, dark-veiled hat designed by Mr. John.

At the urging of her mother, 19-year-old Ekberg entered and won the Miss Sweden competition in 1950. In 1951, she traveled to the United States to compete in the Miss Universe pageant. Although she did not win the crown, she placed as one of the six finalists. Her striking blonde, statuesque physique, and natural charisma immediately caught the eye of Hollywood talent scouts and high-profile figures like Howard Hughes.

Following the pageant, she signed a contract with Universal Studios. Because she spoke very little English at the time, the studio system placed her into intensive training. She received lessons in drama, elocution, dancing, horseback riding, and fencing. Ekberg famously admitted later in life that she was spoiled by the system and preferred playing over working. She skipped many of her drama lessons to go horseback riding in the Hollywood Hills, leading Universal to drop her contract after six months.

The Last Photo of Christopher McCandless, Shortly Before Dying From Starvation, 1992

This haunting image is the final self-portrait taken by Christopher McCandless, shortly before dying from starvation. The note he is holding says “I HAVE HAD A HAPPY LIFE AND THANK THE LORD. GOODBYE AND MAY GOD BLESS ALL!”. It was found on an undeveloped roll of film inside his camera after his body was discovered in the Alaskan wilderness.

In May 1990, after graduating from Emory University, McCandless severed contact with his family, donated his remaining savings to charity, abandoned his car, and set off on a nomadic journey across North America. Driven by idealistic philosophy, transcendentalist literature, and a desire to escape modern society, he eventually hitched a ride to Alaska in April 1992.

After hiking along the Stampede Trail near Denali National Park, McCandless came across an abandoned 1946 International Harvester bus (known as Fairbanks Bus 142), which served as his shelter. He spent roughly 113 days surviving off local flora, small game, and a moose he managed to hunt.

When he attempted to return to civilization in July 1992, he found the Teklanika River swollen with glacial runoff and impassable. Trapped, he returned to the bus. Facing starvation and potentially weakened by toxic seeds (Hedysarum mackenzii or alkaloid poisoning from wild potato seeds), his condition deteriorated rapidly.

McCandless died in late August 1992 inside Bus 142 at the age of 24. Local hunters discovered his body on September 6, 1992, weighing only 67 pounds (30 kg).

His story was immortalized by Jon Krakauer in the 1996 bestselling book Into the Wild, which was later adapted into the acclaimed 2007 film directed by Sean Penn. His journey continues to spark debate between those who view him as a romantic, free-spirited idealist and those who regard his journey as unprepared and reckless.

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20 Fascinating Photos of Las Vegas in 1980

Taken by Walter Etten, these fascinating photographs capture Las Vegas as it appeared in April 1980, at the height of its classic neon era. The images show the glittering Strip, iconic casino signs, crowded sidewalks, and the vibrant nightlife that defined the city at the start of the decade.

From glowing marquees and busy hotel entrances to everyday scenes of visitors and locals, the photos preserve the distinctive look and energy of Las Vegas before later waves of mega-resort development. They offer a vivid snapshot of the city’s atmosphere more than four decades ago.

Royal Casino, Las Vegas, April 1980

Royal Casino, Las Vegas, April 1980

Alladin Casino, Las Vegas, April 1980

Billboards, Las Vegas, April 1980

Caeser's Palace, Las Vegas, April 1980

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Kissing the Shuttle

In 19th-century textile mills, workers (especially women) commonly used a risky technique called “kissing the shuttle” to thread the narrow eyelet of the shuttle, a wooden device that carried the bobbin across the loom. This process involved placing the yarn end in their mouths and sucking it through the shuttle’s eyelet, a precise task repeated countless times throughout the day to keep the machinery running smoothly.

Though practical, the practice posed serious health hazards. Since shuttles were shared among many workers and seldom cleaned, they became breeding grounds for contagious diseases, particularly tuberculosis, which was widespread and deadly at the time. In the crowded, poorly ventilated mills, this simple act of threading became an unseen contributor to the rapid spread of respiratory infections among workers.

With advances in industrial technology and growing awareness of occupational health, the dangers of “kissing the shuttle” were eventually recognized. By the mid-20th century, automated threading systems replaced the manual method, eliminating the need for workers to use their mouths. This innovation marked an important step forward in improving safety and reducing health risks within the textile industry.