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March 29, 2025

The Beatles’ Members Posing With Their Waxwork Figures at Madame Tussauds London, 1964

On April 29, 1964, The Beatles visit Madame Tussaud’s wax museum in London to see their models, which had been unveiled to the public on March 28. They were the first pop group to appear in the museum.

In 1967, the museum lent the wax figures to artists Peter Blake and Jann Haworth to be used on the cover of The Beatles’ album Sgt Pepper’s Lonely Hearts Club Band. Three of the heads – John Lennon, George Harrison and Ringo Starr – used for the cover were rediscovered in 2005 after being lost for nearly two decades, and were auctioned for £81,500.






30 Stunning Portrait Photos of Sandra Paul in the 1960s

Born August 1940 as Sandra Howard, Lady Howard of Lympne, English novelist, former model Sandra Paul is the wife of Michael Howard, a former leader of the Conservative Party. She was trained at the Lucy Clayton Modelling Agency and was a well-known model in the 1960s.

Paul was featured on the cover of American Vogue for two months in a row. She was photographed by David Bailey and Norman Parkinson and was acquainted with John F Kennedy, Frank Sinatra and Bob Dylan. She also has written five novels, the most recent, Tell the Girl, was published on 3 July 2014.

Paul made a brief foray back to her modeling career in the 1990s by posing for Marks & Spencer catalogues. Take a look at these stunning photos to see portraits of fashion model Sandra Paul in the 1960s.

Sandra Paul wearing a tall silk daisy-shade hat by Adolfo, make-up by Coty, photo by Bert Stern, Vogue, March 1, 1964

Sandra Paul in Autumn Haze EMBA mink coat by Maximilian, Gucci handbag, Verdura earrings, photo by Irving Penn, Vogue, December 1, 1961

Sandra Paul in lovely strapless brocade dress from Bentalls, photographed at Ham House, Petersham, Harper's Bazaar UK, September 1961

Sandra Paul in a provocative red organza scarf with white bows by Simone Mirman, London, 1962

Sandra Paul in feminine version of the masculine trenchcoat by Burberry worn with matching hat, photo by Michael Williams, Harper's Bazaar UK, July 1963

Comedian George Carlin Being Arrested for Performing “Seven Words You Can Never Say on Television” in July 1972

George Carlin (1937–2008) was an American stand-up comedian, social critic, actor and author. Regarded as one of the most important and influential comedians of all time, he was dubbed “the dean of counterculture comedians.” He was known for his dark comedy and reflections on politics, the English language, psychology, religion and taboo subject matter.


In the early 1970s, Carlin perfected his well-known “seven dirty words” routine, which most notably appears on Class Clown as follows: “‘Sh*t,’ ‘p*ss,’ ‘f*ck,’ ‘c*nt,’ ‘c*cks*cker,’ ‘motherf*cker,’ and ‘t*ts.’ Those are the heavy seven. Those are the ones that’ll infect your soul, curve your spine and keep the country from winning the war.”

On July 21, 1972, Carlin was arrested after performing the routine on the Main Stage at Milwaukee’s Summerfes. The reason he was arrested was because of Elmer Lenz. Lenz was a police officer who was at the festival as a patron, there with his wife and child. They weren’t in attendance at the Main Stage, but rather at the carnival midway. Supposedly the acoustics at Summerfest were such that Carlin’s act could be heard on the carnival rides. When Lenz heard Carlin’s “Seven Dirty Words” bit he became incensed. He later said: “I couldn’t believe my ears. I couldn’t see why nobody was doing anything about it.”

And Carlin later said: “No one said to me, you know, ‘Your voice is going to carry over to the cotton candy dispenser, so we don’t want you to do that.’”

Lenz rushed to the stage, ready to arrest Carlin in front of his audience. However, the police officers who were acting as security stopped Lenz and told him that he’d have to wait till the act was over. Lenz called for backup and once Carlin finished his bit and left the stage, he was arrested.



At the jail, the district attorney refused to file state criminal charges against Carlin. The Milwaukee City Attorney, however, did slap Carlin with a “disorderly conduct” charge. Carlin posted $150 bail and was released that evening.

Carlin’s defense team encouraged him to pay the small fine associated with the disorderly conduct charge, but Carlin opted to fight it. In December 1972, Carlin’s case came to court. The city called a single witness, a schoolteacher who had been at Summerfest with his sons. He testified that he and his boys had heard Carlin’s language and that he had been offended by it, but acknowledged that he had not witnessed any sort of disturbance caused by the act.

The defense called the DA who had originally declined to charge Carlin the night he was arrested. He testified that he did not think a disorderly conduct charge was warranted because what he had seen when Carlin uttered those words were, “people laughing.” The defense further argued that Carlin’s show was meant for an adult audience (Carlin took the stage at 10 PM).

The defense then played the “Seven Dirty Words” bit from Carlin’s latest album to the court. This pretty much settled the case, as it was apparent that Carlin’s intent was comedy (rather than agitation or shock). Moreover, the judge had trouble keeping his composure. Carlin’s lawyer noted that “the judge laughed throughout the entire thing.” The judge threw out the charge, settling the matter.


In 1973, a man complained to the Federal Communications Commission (FCC) after listening with his son to a similar routine, “Filthy Words,” from Carlin’s Occupation: Foole, which was broadcast one afternoon on radio station WBAI. The FCC cited Pacifica for violating regulations that prohibit broadcasting “obscene” material. The Supreme Court upheld the FCC action by a vote of 5 to 4, ruling that the routine was “indecent but not obscene” and that the FCC had authority to prohibit such broadcasts during hours when children were likely to be among the audience.

The controversy increased Carlin’s fame. He eventually expanded the “dirty words” theme with a seemingly interminable end to a performance, finishing with his voice fading out in one HBO version and accompanying the credits in the Carlin at Carnegie special for the 1982–83 season, and a set of 49 webpages organized by subject and embracing his “Incomplete List of Impolite Words.” Over his career, Carlin was arrested seven times for reciting the “Seven Dirty Words” routine.

Romantic Postcards of Love Couples From the 1920s

Romantic postcards from the 1920s often showcased couples in tender, intimate moments, reflecting the elegance of the era. Featuring stylish Art Deco designs, they depicted couples in flapper fashion—women in bobbed hair and dresses, men in dapper suits—sharing dances, strolls, or quiet moments together.

1920s love postcards often featured soft, pastel colors or vintage sepia tones, giving them a nostalgic, timeless feel. Many postcards also included symbolic elements, like roses, hearts, or cherubs, further enhancing the romantic sentiment. The postcards were often sent as tokens of affection, especially on anniversaries, Valentine’s Day, or during courtship. The combination of artistic flair and emotional depth made these postcards cherished keepsakes.

Here is a collection of romantic postcards featuring love couples from the 1920s.






Photos of Brad Pitt in Dresses Photographed by Mark Seliger, 1999

In 1999 Mark Seliger was chief photographer for Rolling Stone – he held the position from 1992 to 2002 – and earlier this year Seliger and Pitt met in the lobby of the Chateau Marmont in Los Angeles. The two had worked together several times before, and Pitt, who is always very creatively involved on his work.

“Brad says, ‘I’ve got a real weird idea,’” Seliger recalled. “‘For this movie I’m doing, I’m going to have to be pretty big. I’m going to have chipped teeth and a nice shaved head. And I thought about shooting me in dresses, what do you think of that?’ And I say, ‘That sounds pretty funny.’ And he says, ‘But we’re not talking about me in drag; we’re talking about me coming from another planet.’”

“We wanted these photos to be conceptual,” said Seliger, “to convey Brad’s interest in architecture and design but to still have a sense of humor, and to be both revealing and shocking.”

At the time, Pitt had just finished filming David Fincher’s Fight Club, released in September of 1999 (the shoot was a month later), in which he plays the alter ego of Edward Norton’s character/protagonist, Tyler Darden. For the film, Pitt had worked a lot on his body – as had Norton – increasing its structure by practicing boxing, Taekwondo and wrestling, shaving his hair and having his incisors chipped on purpose by his dentist, to be more believable in the role. This look would have certainly made a fistfight with Pitt’s idea of wearing purely feminine clothes, and this pleased Seliger as well.

For the record, Seliger and Pitt chose the dresses themselves. “We picked things that we thought would be not particularly kitsch but extremely bold and weird,” added Seliger. “He was really enthusiastic, the perfect subject in that sense. With Brad, you can’t get strange enough. He loves that.”

“I know all these things are supposed to seem important to us – the car, the condo, our version of success – but if that’s the case,” Brad said, “why is the general feeling out there reflecting more impotence and isolation and desperation and loneliness? If you ask me, I say toss all this – we gotta find something else. Because all I know is that at this point in time, we are heading for a dead end, a numbing of the soul, a complete atrophy of the spiritual being. And I don’t want that.”






March 28, 2025

Kelly LeBrock’s Billowing Red Dress Scene in “The Woman in Red” (1984)

Kelly LeBrock played the role of Charlotte in The Woman in Red (1984), a romantic comedy directed by and starring Gene Wilder. Charlotte is the stunning and mysterious woman who catches the eye of Wilder’s character, Teddy Pierce, leading him into a series of comedic and romantic misadventures.

LeBrock, in her film debut, became an instant sensation with this role, thanks to her striking beauty and the film’s iconic scene where she stands over a vent, her red dress billowing—a moment reminiscent of Marilyn Monroe in The Seven Year Itch.

This moment perfectly encapsulates the film’s blend of romance and comedy, as Gene Wilder’s character, Teddy Pierce, is left utterly mesmerized by Charlotte’s beauty. Her portrayal of Charlotte solidified her status as a ’80s bombshell and helped launch her acting career.






A Young Ursula Andress Aboard a Train in Italy, ca. 1954

Slim Aarons, who always had an eye for beauty, photographed a young Ursula Andress aboard a train in Italy, circa 1954. Andress was a student on holiday at the time; her acting career launched soon after when she was discovered at a party and offered the chance to audition for a walk-on role in an Italian film. ⁠




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