Guns N’ Roses Lead Singer Axl Rose Getting Arrested at JFK International Airport, July 1992

On July 12, 1992, Axl Rose was arrested at John F. Kennedy International Airport in New York immediately after stepping off a flight from Paris. The arrest was the result of an outstanding warrant related to the infamous “Riverport Riot” that had occurred a year earlier.

The legal trouble began during a Guns N’ Roses concert at the Riverport Amphitheatre in Maryland Heights, Missouri. During the song “Rocket Queen,” Axl noticed a fan taking unauthorized photos. After security failed to intervene to Axl’s satisfaction, he famously shouted, “I’ll take it, goddamn it!” and dove into the crowd to tackle the fan and seize the camera.

After being pulled back onto the stage, Axl slammed his microphone down and announced, “Well, thanks to the lame-ass security, I’m going home!” before walking off stage. The band followed him, and the crowd, angry that the show had ended early, erupted into a massive riot. The chaos resulted in dozens of injuries and hundreds of thousands of dollars in property damage to the venue and the band’s equipment.

Axl had been out of the country on the European leg of the Use Your Illusion tour, effectively staying out of reach of Missouri authorities for a year. When his plane landed at JFK in 1992, U.S. Customs agents and police were waiting for him. He was charged with four counts of third-degree assault and one count of property damage. While the media captured iconic photos of a grinning Axl in the back of a police car, his legal team argued that the arrest was unnecessary because he had already planned to turn himself in later that week.

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Vintage Photos of Jayne Mansfield and Joan Collins on the Set of “The Wayward Bus” (1957)

The 1957 film The Wayward Bus brought together two of the era's most captivating screen sirens: the blonde bombshell Jayne Mansfield and the sophisticated British beauty Joan Collins.

Set against the backdrop of a tension-filled bus journey, the film showcased a fascinating contrast in their star personas: Mansfield, known for her exuberant curves and comedic timing, and Collins, who exuded a sharp, dark-haired elegance that would later make her a global superstar.

Behind-the-scenes photos from the set capture a rare and stylish camaraderie between the two leading ladies. Away from the rolling cameras, these candid moments reveal the actresses relaxing in their elaborate 1950s costumes, often sharing a laugh or discussing their scenes.

While the film itself was a gritty adaptation of John Steinbeck’s novel, the presence of both Mansfield and Collins added an undeniable layer of Hollywood glamour to the production, making these on-set photographs a precious time capsule of 20th-century cinema’s “Golden Age.”

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The Incredible Story of 11-Year-Old Terry Jo Duperrault, the Sole Survivor of a Massacre at Sea in November 1961

In November 1961, 11-year-old Terry Jo Duperrault became the sole survivor of a mass murder aboard the yacht Bluebelle in the Bahamas. Her story of surviving 84 hours alone at sea on a small cork float gained international attention, earning her the nickname the “Sea Waif.”

On November 12, 1961, the Duperrault family of Green Bay, Wisconsin set out on a chartered sailing trip in the Bahamas aboard a vessel called the Bluebelle. The family, father Arthur, mother Jean, 14-year-old Brian, 11-year-old Terry Jo, and 7-year-old Renee, hired captain Julian Harvey and his wife Mary to take them on their dream vacation. What followed became one of the most shocking maritime tragedies in American history.

Sometime during the night of November 12–13, Captain Harvey murdered his wife and all five members of the Duperrault family aboard the Bluebelle. The exact motive was never confirmed, but investigators believed it may have been connected to a life insurance policy on his wife, combined with a desperate attempt to cover up her murder. Harvey then scuttled, intentionally sank, the Bluebelle to destroy the evidence.

Eleven-year-old Terry Jo woke during the chaos. She came up on deck to find blood and bodies. Harvey, encountering her, told her to get back below. Instead, she found a small cork float, little more than a tiny raft, cut it loose, and slipped into the dark ocean alone. She drifted for four days and three nights under the blazing Florida sun with no food, no water, and no shelter, clinging to the tiny float in shark-filled waters.

Harvey, meanwhile, had reached shore in a dinghy with the body of young Renee, likely taken to support a false story of survival. He claimed the ship sank after an accidental fire. His account initially went unquestioned.

On November 17, a Greek freighter spotted Terry Jo adrift. She was so severely sunburned, dehydrated, and near death that the crew initially thought she might not survive. A photograph taken of her on the rescue ship – a gaunt, hollow-eyed little girl propped on a stretcher – became iconic.

Her survival blew apart Harvey’s story. Faced with imminent exposure, Julian Harvey took his own life in a Miami motel on November 17, the same day Terry Jo was rescued, leaving only a brief note about his finances.

Terry Jo was adopted by an aunt and changed her name to Tere Duperrault Fassbender. She largely retreated from public life for decades. In 2010, she published a memoir titled Alone: Orphaned on the Ocean (co-written with Richard Logan), finally telling her full story nearly 50 years later.

“I was never frightened. I was an outdoorsy child, and I loved the water. I had a strong faith. I just believed I would be saved.” — Tere Duperrault Fassbender

Her survival remains a remarkable testament to the instinct and willpower of a child who, in the most terrifying circumstances imaginable, made the split-second decision that saved her life.

18 Behind the Scenes Photos of Marilyn Monroe’s Costume and Hair Tests for “Niagara” (1953)

Niagara (1953) was a Technicolor noir thriller directed by Henry Hathaway and filmed partly on location at Niagara Falls. It was one of Marilyn Monroe’s breakout starring roles, and the studio 20th Century Fox invested heavily in her screen presentation.

The wardrobe was designed by Dorothy Jeakins. Monroe’s most iconic look in the film is the form-fitting pink dress, which was deliberately chosen to emphasize her figure and establish her character (Rose Loomis) as a dangerous, sexually provocative woman. The costume tests show Monroe photographed in multiple dress options and colorways before the final selections were made, a standard studio practice to see how fabrics and colors read on Technicolor film stock.

Monroe’s platinum blonde hair was styled by studio hairdressers at Fox. The tests show slightly different styling approaches – waves, curl placement, and volume – to determine what would look best on camera and suit the character. Her look in Niagara is notably more overtly glamorous and “dangerous” than her earlier ingénue roles.

Niagara was a pivotal moment in Monroe’s career. Fox promoted the film heavily around her image, and the famous long walk scene, reportedly the longest walk ever filmed at the time, became iconic. The careful costume and hair testing reflects just how much the studio was beginning to recognize and cultivate her star power heading into Gentlemen Prefer Blondes later that same year.

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Spain’s Eternal Muse: Rare and Beautiful Scrapbook Photos of a Young Sara Montiel

Sara Montiel (1928–2013) was a legendary Spanish actress and singer who became a global icon of beauty, talent, and sheer charisma. Known affectionately as “Saritissima,” she was the first Spanish star to conquer Hollywood, appearing in classic films like Vera Cruz (1954) alongside Gary Cooper and Burt Lancaster. Her sultry, deep voice and mesmerizing screen presence redefined the image of the “femme fatale,” blending a sense of classic European elegance with a bold, modern sensuality.

While she achieved international stardom in cinema, Montiel was equally celebrated for her musical contributions, particularly her renditions of boleros and cuplés. Her role in the 1957 film The Last Torch Song (El Último Cuplé) remains a landmark in Spanish film history, turning her into a national treasure.

Throughout her long and storied career, Sara Montiel remained a symbol of artistic independence and timeless glamour, bridging the gap between the golden ages of Spanish and American cinema. These rare photos are from her private collection, many of which have never been seen by the public before.

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40 Amazing Photos of Martin Sheen and Sissy Spacek on the Set of “Badlands” (1973)

Badlands is a 1973 American neo-noir crime drama that marked the directorial debut of Terrence Malick. The film stars Martin Sheen and Sissy Spacek as two young lovers who embark on a brutal killing spree across the American Midwest during the late 1950s.

Inspired by the 1958 Charles Starkweather and Caril Ann Fugate murders, the film features Martin Sheen as Kit, a 25-year-old garbage collector, and Sissy Spacek as Holly, his 15-year-old companion who narrates their journey. After Kit kills Holly’s father, they flee across the Midwest, with the story told through Holly's detached, dreamlike narration.

The film was made on a shoestring budget of approximately $300,000–$350,000, funded by small private investors. Production was even halted at one point so Malick could take outside writing jobs to raise more funds. Although the story roams through the Midwest, it was primarily filmed in southeastern Colorado towns like La Junta and Trinidad.

Badlands is widely considered a masterpiece of American cinema, praised for its lyrical style and unique juxtaposition of violence with natural beauty. The film significantly influenced the “outlaw couple” genre. The film earned Martin Sheen a best actor award at the San Sebastián International Film Festival and was selected for the National Film Registry in 1993.

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Beautiful Photos of the 1961 Ghia L6.4 Coupe

The 1961 Ghia L6.4 Coupe stands as one of the most exclusive and elegant symbols of the “Jet Age,” representing a flawless marriage between rugged American power and sophisticated Italian artistry.

Following the success of the Dual-Ghia, the L6.4 was designed by the legendary Carrozzeria Ghia in Turin. Unlike many mass-produced cars of its time, each L6.4 was virtually bespoke, handcrafted to the highest standards of luxury. Its sleek, low-slung silhouette and expansive glass greenhouse made it an instant favorite among the Hollywood elite, most famously including “Rat Pack” legends like Frank Sinatra and Dean Martin.

Beneath its bespoke Italian bodywork lay a formidable 6.4-liter Chrysler Mopar V8 engine, producing roughly 335 horsepower. This combination allowed the car to offer both the effortless maintenance of an American drivetrain and the unparalleled prestige of a European grand tourer.

With only 26 units ever produced, the Ghia L6.4 remains one of the rarest production cars in history. Discover the car that captivated Hollywood’s biggest stars with these stunning photos of the ultra-rare 1961 Ghia L6.4 Coupe.

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